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Pug Destroyer Shirts Benefit Pug Rescue of Florida by orlandooom407

How can you say no to that face? I certainly couldn’t because I submitted my application to volunteer with the Pug Rescue of Florida this morning after reading this Metal Injection article. My philanthropy senses began to tingle much like Spiderman’s hyper sensitivity to super suited psychopaths. The shirts themselves are available for $18 thanks to Pig Destroyer and ANIMAL New York. Portions of the proceeds go directly to the Florida Pug Rescue crew.

Click here to order your very own Pug Destroyer shirt!

Click here to visit the Florida Pug Rescue site to learn more about donating and/or volunteering!

And, here’s the video that spawned the viral craze:

Follow Jared Oates Haggard on Twitter.

– Jared Oates Haggard



Music Video Wrapup by orlandooom407

This segment addresses the memorable music videos that have debuted in the last two weeks. I’ll start doing this weekly, but the first will play a bit of catch up.

Code Orange Kids are a new favorite of mine, and their tenacity is best captured by film maker Max Moore. The bewildering shot sequences of orange hands crawling through grime enhance the filthy fervor the quartet embodies.

Even though I’ve noticed a lot of people are burned out on The Sword I think this video marks an important statement from doom/sludge/stoner bands. I don’t think I’ve seen too many lyric videos that didn’t focus on boy band metalcore. Kudos to the Sabbath worshippers.

If you know of Red Fang you’ve probably watched their wide array of music videos some have largely attributed to their over night success. This video showcases the wild live experience RF embraces without excluding the expected silliness.

Holy flying fetuses Batman! Rwake pulls out the big guns in this extremely graphic montage depicting the destruction of several unidentifiable unborn mammalian quadruped. This one reminds me of a nightmare I had about high school biology once.

The most recently hosted video of the week belongs to Pig Destroyer in support of their newest LP Book Burner. The savagery of placing artillery in the hands of knuckle draggers is depicted here with a wonderful array of psychedelic color variety. You’ll be seein’ purple and green for the next few minutes.

Finally we’ve got Meshuggah’s newest courtesy of Scion AV. This one goes out to Leif Olson and his magic hands with the tattoo gun.

Have a great weekend ya’ll!

Follow Jared Oates Haggard on Twitter.

– Jared Oates Haggard



It’s Almost the 50th Anniversary of Beatlemania: Metalheads, Be Wary of Posers! by orlandooom407

When I was purchasing my tickets for the upcoming Kvelertak concert on the respective online box office for the tour, I found myself slightly amused to discover that, along with Converge, the Norwegian howlers had been labeled simply “hard rock/metal”, defining them in the effective subgenre shared by both Nickelback and Nirvana. But the brief thought also conjured up another name, on the occasion of its first single’s golden jubilee this month, from which a band being in that category places it only just two degrees of separation away. There is rather a significant overlap between consumers of “hard rock/metal” and fans of the Fab Four, and even those who find the Beatles too mawkish, meager, or otherwise lightweight – for a palette, anyway, that has currently expanded to include the exalted flavors of deathgrind, blackened troll metal, and powerviolence, which is apparently a type of music, now – must concede at least a primordial debt owed to them. We have, in any event, been entreated to the idea whether asked for or not.

The more mediocre commentators have always invariably pointed to “Helter Skelter” as the grandfather of metal (“I’ve got blisters on my fingers!”) but an imaginative sort can usually cite less obvious tracks, like the handful I recently saw nominated for this distinction by the author of a Top-100 list in Rolling Stone. “Ticket to Ride” seemed to be the most unexpected choice, and after a repeated listen, one may start to imagine something not completely dissimilar to Black Sabbath. The songs “Everybody’s Got Something to Hide But Me and My Monkey”, “Birthday”, and “Dizzy Miss Lizzy” have also popped up in similar compendia, purporting to discover that missing link.

This is serious musical genealogy, but it’s being offered to you by fabulists. The familiar framework of the Beatles catalogue is precisely why “Helter Skelter” and “Dizzy Miss Lizzy” are as jarring as they are. The metal connection is piecemeal and elemental, owing to the fair-mindedness of John and Paul in inventing or popularizing the use of fuzz effects and rollicking solos. I would like to now suggest the possibility that the indiscernable bridge is a consequence of something approaching impotency. After all, Slayer’s encomium to Holocaust terror has been available for the entertainment of would-be mass killers for three decades, but the White Album inspired racist violence almost immediately. The kind of metal being said to have its roots in Beatlemania has had comparably little success in putting actions to its words at all.  The Beatles attracted more international scorn for claiming to be bigger than Jesus than did the early scene arsonists when they upped that ante at the stave churches in Skjold and Fantoft. But structurally, semantically, and aurally, the case simply cannot be made.

(Not unrelated but somehow more excruciating are those same critics who are still insisting that “Black Metal” should be credited with inspiring the music that bears its name just because Varg Vikernes got caught wearing a Venom tee shirt on his way to prison. Has anyone who makes this claim actually listened to the eponymous album? It is no more likely to have spawned Darkthrone and Gorgoroth than Iron Maiden. Remember, black metal was not even called that until death metal became too trendy a wagon to hitch on to, and now we are asked to believe that a band as bovine and effete as one that would write “possessed by the soul of the gods’ rock-and-roll” in its most famous song inspired our most benighted exemplar of nihilism in music?)

But I have made no secret of my partisan leanings and have had to catch myself in loosely insisting that a black metal element necessarily improves a track. And if we can believe that the Beatles at least inspired the music that inspired the punk that inspired the thrash that inspired the black metal, then let us be clear about what that means. The road from Lennon to, at least, Schuldiner is built on the latter’s unique attentiveness to riffage and picking, and paved with magnitudinal shifts in chord structure and percussion, but black metal managed to evolve divergently and in spite of the trends of either artist. The Beatles, for all their innovations and achievements, remain a manufactured product of capitalist industry, while black metal that is not an expression of working class angst can scarcely be graded pure at all. Your humble servant hastens to inform you that even a musician as prolific and illustrious as Jan Axel “Hellhammer” Blomberg was compelled to take a night watchmen’s job just to make rent. The latter-day Beatles came to be defined in opposition to the promiscuous conceit of the Johnson doctrine in Vietnam and within the overall movement toward civil rights and equality, but black metal has only recently developed a stomach for social consciousness that isn’t retrograde and nationalist.

And yet … “Let It Be”, for all its cloying sentiment, really does appear to contain a downtempo precursor to the Discharge-beat. And there is that riff, just buzzing enough, in the chorus of “Come Together” that one can imagine extended, through eight or sixteen more bars, and ruminatively re-expressed over a blast beat and a ghoulish shriek, that, maybe, streamed through a tinny amp and recorded in a basement, hints at the possibilities of black metal. But don’t expect any peace and love in the forests of poverty and decay.

Click here to follow Zack on Twitter!

– Zack Sigel



General Surgery – Like An Ever Flying Limb by orlandooom407

This is a good place to start where we left off.” Even the opening sound clip summarizes the fresh 5 tracks of brutalizing goregrind released by Swedish Death Metalists General Surgery. With exception of their choice cuts-esque best of A Collection of Depravation, it’s been three years since a new General Surgery track has melted membranes. Although there’s only 5 new tunes on this, these doctors of radical medicine have no problem severing limbs and cauterizing the wounds. I was lucky enough to see the macabre surgeons perform some of the best surgery I’ve ever seen at Brutal Assault 13. When they decided unleash a new technique to their operation. Like an Ever Flying Limb was played live and loud and consequently sent the crowd into a ravenous frenzy. With their signature sound, a bloody mix of Carcass meets Swedish Death, new General Surgery was what everyone should’ve expected: Brutally Fuckin’ Awesome.

CLICK HERE TO PRE-ORDER Like an Ever Flying Limb from Relapse Records

– Handsome Jake



New Video In Anticipation of Primate LP Vinyl Release July 3rd by orlandooom407

When Primate played their first show in Orlando last year I was tasked with escorting Bill Kelliher (Mastodon) from Orlando International down to Will’s Pub. Them, along with Atlanta noise rockers Whores (Brutal Panda Records), gave a stunning harder than mountains performance alongside Junior Bruce (A389 Records). In support of their pressing of their debut LP Draw Back A Stump the band has released a brand new video:

Here’s the press release that was coupled with this excellent piece of musical film:

“Two separate anthems from grindsmiths PRIMATE‘s debut LP Draw Back a Stump have been set loose on a public rampage this week. Today fans can hear the raging track “Pride” via a Relapse lyric video AT THIS LOCATION.

Recently, Metal Injection included the album’s opening/title track “Draw Back a Stump” on an exclusive twenty-song Relapse podcast downloadable RIGHT HERE.

After an initial 1000-run CD pressing released by the band directly in 2011 was quickly devoured by an immediately ravenous fanbase, PRIMATE will re-unleash their debut album Draw Back A Stump via Relapse on July 3rd through CD, LP and deluxe digital download formats. The seven hymns from the initial version now include additional rhythm guitars and have been remixed and remastered, and are joined with three previously-unreleased bonus tracks for this edition. Pre-orders for the album are available HERE.

Atlanta’s villainous PRIMATE is comprised of vocalist Kevin Sharp, bassist/vocalist Dave Whitworth, drummer Shayne Huff and guitarists Bill Kelliher and Mike Brennan, an all-star lineup hellbent on delivering Grade-A punk the likes of which has not been set loose on the ears of the world since the glory days hardcore. Following several destructive live appearances last year after the album was initially released, this new version will see PRIMATE taking to the streets once again, as live confrontations and more are being planned to take place over the coming months.”

Primate Website

Facebook

Relapse Records

Relapse Records Bandcamp

Relapse Records Facebook



Scion Rock Fest Set Times Chart (IN COLOR)! by orlandooom407

Scion Rock Fest kicks off tomorrow at 2PM EST in Tampa, Florida. We all couldn’t surpass our current state of elation if we tried. Here’s a handy colorful chart, created by Floridian West Coast native Chris Elmore, to help you in breaking up your evening. Orlandooom contributors and friends are sure to litter to floors of The Rtiz, Czar Bar and The Orpheum. I don’t know about everyone else, but there’s no way I’d miss The Atlas Moth, Sleep, Witch Mountain, Church of Misery or Saint Vitus. Might dip out during Down to catch a peek at Merzbow to complete the day’s sonic overload. Here’s Scion A/V Metal‘s graphical running order too:

Scion Rock Fest Information

Scion A/V Twitter



Orlando Occupiers ABUSE Release Split With Melbourne Florida’s Arc & Panther by orlandooom407

Orlando’s heavy music scene houses a multitude of metal, punk, hardcore, or what have you. There’s something for everyone, and thus there are bands like ABUSE. I’ve had the pleasure of seeing Central Florida’s quintessential quadratic craftsmen on several occasions with the likes of Scale the Summit, Khann, and even Miami grind freaks: Shitstorm. They brandish  a blurred blend of increasingly complex, and furious, punk inspired riffs adhered together with their unifying quadruple vocal harmonies. No (dedicated) singers, who needs those? Their lyrical content creates a verbose antagonism against corporate dominance, human subservience, and pollution (about the ocean). They’re joined by Melbourne Florida’s, central east coast for those unfamiliar, tectonic hardcore trio Arc & Panther. You can hear both sides of the split via the widgets below, and physical copies will soon be available through NorseKorea (norsekorea.com).

Abuse Facebook

Arc & Panther Facebook